It is for this reason that I do not purpose to inflict upon the reader a diary of my alternative aliveness and non-existence at La Ferte-- not because such a diary would unutterably bore him, but because the diary or time method is a technique which cannot possibly do justice to timelessness. I shall (on the contrary) lift from their grey box at random certain (to me) more or less astonishing toys; which may or may not please the reader, but whose colours and shapes and textures are a part of the actual Present-- without future and past-- whereof they alone are cognizant who-- so to speak-- have submitted to an amputation of the world."
E. E. Cummings, beginning of chapter five, p 82, 'A Group of Portraits'
excerpt from The Enormous Room